WEEK 5
Words
of Encouragement
“But the Lord God called to the man,
“Where are you?” and then He said, “Who told you that you were naked? Have you
eaten from the tree that I commanded you not to eat from?”
First example of interrogation! Did God
already know these answers?
Latin Word of the
Day- interrogāre (to question)
EEL
REVIEW:
I divided the kids into two groups- Army and Navy. We sure did enjoy one intense round of TIC TAC TOE.… the kids did great. It was a scratch.
NEW
GRAMMAR: Here
are the new concepts we covered today.
PURPOSE- Interrogative
MY CUP WAS KNOCKED OVER! This kiddos enjoyed their little interrogation.
Interrogate: to ask questions of (a person), sometimes to
seek answers or information that the person questioned considers personal or
secret.
3
Ways to make a sentence Interrogative, just like a perfect CIA officer!
(Change the end mark from a period to a question mark. Add inflection. Diagram the same.)
Ex. John ate.
(Declarative)
John ate?
(Interrogative)
(Replace the subject with an interrogative pronoun.)
Ex. John ate.
(Declarative)
Who ate?
(Interrogative)
Chart F
(Pronouns) list of interrogative pronouns (Who, Whom, Whose, Which, What)
(Begin the
sentence with a helping verb)
Ex. John ate. (Declarative)
Did John eat? (Interrogative)
EACH STUDENT is now an official Certified Intelligence Agent! :)
Start memorizing the
helping verbs and the Interrogative Pronouns.
Helping Verbs-
Foundations' English Grammar memory work for Cycle 1 weeks 13-20.
Interrogative Pronouns-
Cycle 2 Weeks
DIALECTIC:
We
put together our combinations and wrote a few sentences. S, S-Vi, Int. We also had extra time to build a few sentences from the ground up. It was fun.
MATH
We started our math time with a little lesson on Exponents. I hope it was helpful. We then broke up into groups and worked to clear the board. The Navy team had to get evens. The Army team had to get odds. The Navy won. WTG!
IEW
REVIEW:
We broke up in groups and took time to listen to eachothers paper. It was so sweet to hear all the students sharing and all the feedback they were giving eachother. THANK YOU for being wonderful mamas and helpers.
STYLE:
Dress
ups we’ve had so far: -ly word, w/w clause, alliterations, senses words, strong
verbs.
TWO NEW STYLISTIC TECHNIQUES:
BECAUSE CLAUSE is a group of words with a subject and a verb that begins with a
BECAUSE. This clause can be added before or after a complete sentence.
Just like the who/which clause, a because clause
cannot stand on its own. It is dependent
on the rest of the sentence. The
sentence should still make sense when we remove the because clause. You can’t just add the word “because” to a
sentence to make a because clause.
EX: Ruby was covered in mud.
Because Ruby was covered in mud. Is not a complete thought, and does not work
as a part of a complete sentence.
Ruby was covered in mud because she went into the
creek.
Or
Because she went into the creek, Ruby was covered
in mud.
CONVERSATION is interesting because we can tell the
reader exactly what was said. Think
about the story of the Three Little Pigs.
If we just explained what happened, “The wolf marched up to the first
house, knocked, and began blowing,” it’s far less memorable (and interesting)
than using the actual quotes…
“Little pig, little pig, let me in!”
“No, not by the hair of my chiny-chin-chin!”
“Then I’ll huff, and I’ll puff, and I’ll blow your
house down!”
●
Punctuation goes inside
the closing quotation marks. The wolf asked, “Won’t you let me in?”
●
The actual words said in
conversation will be surrounded by quotation marks, but not the narration. The
pigs replied, “Not by the hair of my chiny chin chin.”
●
Place a comma after the
set-up narration or surrounding narration that interrupts the speech. “Then I’ll huff,” he relied, “and I’ll puff.”
●
When a speaker continues
with more than one sentence, do not close the quotes until the end of his
speech. The first pig ran to his brother’s house and yelled, “Let me in! Let me
in!”
STRUCTURE:
We jumped right on in with STORY
SEQUENCE.
I. Character and Setting
II. Plot or Problem
III. Climax and Resolution
We started off with reading our source text- A Shot Heard Around the World.
●
Paragraph one is going to be about
our characters and setting.
○
Where? When?
○
What is the political climate like?
○
Who is our main character? How does
he feel? Why?
○
What’s his plan?
○
How else will his help?
●
Paragraph two is going to be about
the conflict or problem. Again, tell the reader what is going on. What do the characters want? What do they do?
Say? Think? Feel?
○
What’s the problem? (Colonists
perspective)
○
Where is John going?
○
Who is there?
○
What does the captain of the
minutemen command?
○
What does the British officer
command?
●
Paragraph three is about the climax,
or turning point, and the resolution. We
need to ask ourselves: What leads to the conflict being solved? What happens as a result? What is learned? What’s the message/moral?
○
What are the minutemen doing (or,
not doing)?
○
What happens?
○
What is the result of the conflict?
Where were redcoats going?
○
What did the minutemen do?
○
Who fired first? What is this even
called?
We built a beautiful KWO. Our students will go home and write these KWOs into
sentences. Afterwards they will add dressups using the checklist.
REMINDER-
you are the teacher. MODIFY, lay out clear expectations, and help your
student be successful. :)
I will see you all on Week 7!